‘Squid Game’ star Lee Jung-Jae debuts as a director at Cannes
October 4, 2022

‘Squid Game’ star Lee Jung-Jae debuts as a director at Cannes

Cannes (France)- Lee Jung-Jae, the award-winning star of Netflix’s “Squid Game,” worked on the 1980s-set Korean spy thriller “Hunt” for years before deciding to direct it himself. He did it reluctantly, with no plans to continue making films. On the other hand, Lee had a vision for what it could be — and where it could premiere.

“Before deciding to direct, I just wanted to make an entertaining movie,” Lee says. “I wanted to come to Cannes after I got my hands on it and started writing the script myself.” Because I wanted to attend Cannes, I needed to find a topic that would appeal to a global audience.”

Few actors know more about capturing the attention of the global audience than Lee. Already one of Korea’s top movie stars, the 49-year-old Lee is at the nexus of the “Squid Game” phenomenon, starring in the dystopic series that — subtitles and all — became Netflix’s most-watched show in some 90 countries.

Now, Lee is in Cannes to premiere “Hunt,” which is playing in Cannes’ midnight section and being shopped for international distribution. The film will test how far Lee can further extend his borderless career. Earlier this year, Lee signed with the Hollywood powerhouse agency CAA. And he grants that he has some Hollywood ambitions.

“Working in Hollywood would be a good experience for me,” Lee said in Cannes shortly before “Hunt” premiered. “If there were a good fit for me, a good character, I’d like to join. But right now, I feel like global audiences want more Korean content and Korea-made TV shows and films. So I would work in Korea as well very diligently. I might seem a little greedy, but if there were a role in Hollywood, I’d like to do that.”

But suppose Lee’s ascension to being an increasingly world-renown actor typifies the pop-culture power of today’s Korea. In that case, his film is set in an earlier, less harmonious chapter in Korean history. “Hunt” takes place several years after South Korean President Park Chung-hee was assassinated in 1979 by the Korean Central Intelligence Agency chief. This coup ushered in the military dictatorship of Chun Doo-hwan. “Hunt” is loosely inspired by his subsequent 1983 assassination attempt orchestrated by North Korea.

“The ’80s in Korea was when we had the most rapid growth ever,” says Lee. “But democracy didn’t grow as much because there was a military dictatorship, and the media was under full control of the government. So I did hear a lot from the older generation and my parents about those government controls. I also witnessed myself college protests.”

“Hunt” grippingly follows a pair of agents (one is played by Lee, the other by Jung Woo-sung) assigned to uncover a North Korean mole within the agency. Lee — not merely dipping his toe into a modest directorial debut — proves skilled at mounting large-scale action sequences and marshalling a dense plot while managing to keep the suspense up.

“Many people told me that I should change the setting to now,” Lee said, speaking through an interpreter. “But in the ’80s, there was a lot of control of information and people were trying to benefit from fake information and misinformation. I think that still exists now in 2022. Still, there are groups that try to benefit from these controls of information and propaganda.

“We now live in a global world that’s connected,” he adds. “We don’t have any silos between us. If there’s a problem or issue, we have to all work on it to overcome it.”

Lee is often asked how his life has changed since “Squid Game” by Western journalists who might be less familiar with his nearly three decades as a top star in Korea in films like “An Affair,” “New World” and “The Housemaid.”

Lee laughs. “It’s natural because a lot of people in the West might not have known me before ‘Squid Game.'”

That’s changing rapidly, though. Lee will return for season two of “Squid Game,” which the series’ creator Hwang Dong-hyuk recently said should be expected in 2023 or 2024. The first season already led to Lee becoming the first Asian actor to win the Screen Actors Guild Award for a best male performer. Lee was so surprised — aside from considering himself an underdog, he’s a big “Succession” fan — that he never managed to pull out the speech he had written in his pocket.

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